RU / EN
SIAS / RJC

Seminar

The interdisciplinary research seminar consistently introduces topics and areas of knowledge into the academic music field that are absent or only partially represented in the curricula of secondary and higher music education institutions. Participants develop concepts for fundamental projects, discuss the topics of individual and collective monographs, as well as dissertation topics, and discuss the organization of international conferences and research projects. The seminar had been opened on April 5, 2017. It hosted over 100 sessions involving renowned specialists and young scholars. The remote format allows for the combined efforts of Russian and international academics to address challenges related to the development of the project's areas.

Ancient Babylonian musicians. Terracotta relief depicting a lyre and tambourine, 19th–17th centuries BC. Berlin, Pergamon Museum. Photo by G.B. Shamilli, 2014.
10.24 Action schematics and conceptualization of movement in native speakers of literary Arabic (91) 10.22 Conceptualization of Space in Miniatures of a Safavid Judeo-Persian Manuscript (1501–1722) (90) 10.23 The cult practice of the Tatar Muslims of the Krasnoyarsk Territory as a musical text (89) 10.21 Nagma: conceptualization of movement in two formulas of the musical process (88) 06.19 The Russian tsars' long-term legacy of manly polyphony: chant variants, sources, and features (87) 04.23 Kuy as a word, term and phenomenon (86) 02.08 Anthropology of Musical Existence: about the new book by I.I. Zemtsovsky (85) 02.07 What the study doesn't say (84) 02.06 Holocaust Memory in Academic Music of Russia, Belarus, and Ukraine (83)