RU / EN
SIAS / RJC

Seminar

The interdisciplinary research seminar consistently introduces topics and areas of knowledge into the academic music field that are absent or only partially represented in the curricula of secondary and higher music education institutions. Participants develop concepts for fundamental projects, discuss the topics of individual and collective monographs, as well as dissertation topics, and discuss the organization of international conferences and research projects. The seminar had been opened on April 5, 2017. It hosted over 100 sessions involving renowned specialists and young scholars. The remote format allows for the combined efforts of Russian and international academics to address challenges related to the development of the project's areas.

Ancient Babylonian musicians. Terracotta relief depicting a lyre and tambourine, 19th–17th centuries BC. Berlin, Pergamon Museum. Photo by G.B. Shamilli, 2014.
05.22 Safi al-Din al-Urmawi and sufiyana kalam (98) 05.21 Maqām and Byzantine modes: points of intersection (97) 05.20 Crimean Tatar maqam: from theory to modern practice (96) 03.27 A new look at wandering melodies (95) 03.26 Citation as a key to understanding Nigunim (using the example of the thematic group "The Soul descends into the body") (94) 03.25 "Essays on the history of Jewish (Yiddish) folk music": about the new book by M. Ya. Beregovsky (93) 02.06 Music in Culture: a scientific and educational Internet project (92)