Music Conceptualization Studies (2017 — present)

• studying the language of music as transcending the boundaries of national cultures and not conditioned by them, expressed in oral and/ or graphic form; related to the phenomenon of memory and basic spatial and temporal intuitions of thinking, as well as types of process in music and various forms of their manifestation;
• studying the language of music description in the context of various literary and genre canons (including the "treatise on music"), which both determine the semantic content of fundamental categories and terms, and allow for the author's initiative;
• studying the processes of music conceptualization in an interdisciplinary perspective, which makes it possible to determine a set of cognitive properties of music from Antiquity to the present and present complex information about it through a categorical and terminological grid as a coherence that determines the signs of a particular type of rationality.